• Thu 2nd May, 2024 until Sat 25th May, 2024

    louder than the sum of its parts

    Working in printmaking, sound and sculpture, Amanda Wood uses strategies of abstraction, translation, and volume to tease out material structures found in both the built environment and the natural world. She breaks down images, finds patterns through repetition and close looking, and then rearranges this data into new patterns and forms. louder than the sum of its parts takes the halftone patterns created from photographing urban landscapes and combines them with the forms, lines, and clusters made by swarms of birds in flight. Wood finds the smallest piece of information – the bitmap or the outline of a bird and places it within an exploration of common materials and traditional practices. Her continuous translation and rearrangement of the singular highlights the physicality and universality of the pattern language that emerges from manipulating visual information in this way. In keeping with her commitment to material exploration, Wood’s current body of work investigates and expands perception through the senses of hearing, touch, and sight. Adapting the processes of hand weaving and screen printing to a digital framework through data sonification, she is interested in the interplay between the invisible and the material. Amanda Wood (she/her/hers) is an interdisciplinary artist from the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh ... read more...

  • Thu 2nd May, 2024 until Sat 25th May, 2024

    louder than the sum of its parts

    Working in printmaking, sound and sculpture, Amanda Wood uses strategies of abstraction, translation, and volume to tease out material structures found in both the built environment and the natural world. She breaks down images, finds patterns through repetition and close looking, and then rearranges this data into new patterns and forms. louder than the sum of its parts takes the halftone patterns created from photographing urban landscapes and combines them with the forms, lines, and clusters made by swarms of birds in flight. Wood finds the smallest piece of information – the bitmap or the outline of a bird and places it within an exploration of common materials and traditional practices. Her continuous translation and rearrangement of the singular highlights the physicality and universality of the pattern language that emerges from manipulating visual information in this way. In keeping with her commitment to material exploration, Wood’s current body of work investigates and expands perception through the senses of hearing, touch, and sight. Adapting the processes of hand weaving and screen printing to a digital framework through data sonification, she is interested in the interplay between the invisible and the material. Amanda Wood (she/her/hers) is an interdisciplinary artist from the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh ... read more...

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