A Terribly Vulgar Program of Horror Film Oddities. This week: A Living Hell (Shugo Fujii, 2000).
> Shock Corridor Cinema Presents: A Terribly Vulgar Program Of Horror Film Oddities.
Screens every Tuesday throughout July. All screenings at 9pm. Two dollars per screening.
Tuesday, July 19th
A Living Hell (Shugo Fujii, 2000)
A festival favourite since its auspicious debut a few years back, A Living Hell is billed as the Japanese answer to The Texas Chainsaw Massacre. Wheelchair-bound 22-year-old Yasu is recovering from a mental breakdown when two distant relatives arrive to stay with his family. One is a pasty-faced elderly woman and the other is a pale, skinny girl about Yasu's age, both of whom never talk or display any recognizable human emotions -- and who always stand side by side, looking on with cold, dead stares. When Yasu's father and older siblings are at work during the day, the creepy duo is left alone to torture the helpless boy. Things get most interesting once the narrative takes a sudden turn towards the bizzare as a grusome dose of parental sadism takes the film to a whole other level. Economically produced on a budget of $100,000, A Living Hell is an example of independent Japanese filmmaking at it finest, taking the Family Horror film to a whole new level of gruesome domesticity. running time: 104 minutes.
Tuesday, July 26th
Eaten Alive (Tobe Hooper, 1976)
PRESENTED OUTDOORS IN DRIVE-IN WIDESCREAM: blankets and bicycles encouraged!
Tobe Hooper's highly anticipated, yet suspicously buried follow up to The Texas Chainsaw Massacre. The story of a hotel keeper, suffering from a bad case of social alientation and genreal psychosis mames his guests with farming equipment not before dumping their half dead bodies into the bayou, home of his angry pet gator. Although not complemented by the luscious cinematography that marked his genre defining film of a few years earlier, Eaten Alive features the camp humour and slasher sensibilities one would expect from a Hooper film from the 70s. Starring the original scream queen Marlyn Burns (of Texas Chainsaw Massacre fame) and a very teenaged Robert Englund (Freddie Kruger) who occupies the questionable role of horny bar stud. One of the finest Drive-In flicks from the 70s you've probably never seen. running time: 89 minutes
Screens every Tuesday throughout July. All screenings at 9pm. Two dollars per screening.
Tuesday, July 19th
A Living Hell (Shugo Fujii, 2000)
A festival favourite since its auspicious debut a few years back, A Living Hell is billed as the Japanese answer to The Texas Chainsaw Massacre. Wheelchair-bound 22-year-old Yasu is recovering from a mental breakdown when two distant relatives arrive to stay with his family. One is a pasty-faced elderly woman and the other is a pale, skinny girl about Yasu's age, both of whom never talk or display any recognizable human emotions -- and who always stand side by side, looking on with cold, dead stares. When Yasu's father and older siblings are at work during the day, the creepy duo is left alone to torture the helpless boy. Things get most interesting once the narrative takes a sudden turn towards the bizzare as a grusome dose of parental sadism takes the film to a whole other level. Economically produced on a budget of $100,000, A Living Hell is an example of independent Japanese filmmaking at it finest, taking the Family Horror film to a whole new level of gruesome domesticity. running time: 104 minutes.
Tuesday, July 26th
Eaten Alive (Tobe Hooper, 1976)
PRESENTED OUTDOORS IN DRIVE-IN WIDESCREAM: blankets and bicycles encouraged!
Tobe Hooper's highly anticipated, yet suspicously buried follow up to The Texas Chainsaw Massacre. The story of a hotel keeper, suffering from a bad case of social alientation and genreal psychosis mames his guests with farming equipment not before dumping their half dead bodies into the bayou, home of his angry pet gator. Although not complemented by the luscious cinematography that marked his genre defining film of a few years earlier, Eaten Alive features the camp humour and slasher sensibilities one would expect from a Hooper film from the 70s. Starring the original scream queen Marlyn Burns (of Texas Chainsaw Massacre fame) and a very teenaged Robert Englund (Freddie Kruger) who occupies the questionable role of horny bar stud. One of the finest Drive-In flicks from the 70s you've probably never seen. running time: 89 minutes